Dutch Northern Renaissance Painter, ca.1472-1533
North Netherlandish painter, designer and woodcutter. He was the brother of Cornelis Buys I ( fl 1490-1524), who is usually identified as the MASTER OF ALKMAAR (see MASTERS, ANONYMOUS, AND MONOGRAMMISTS, Related Paintings of CORNELISZ VAN OOSTSANEN, Jacob :. | Triptych of the Adoration of the Magi fd | The Mystic Marriage of St Catherine dfg | Noli me Tangere dfg | The Mystic Marriage of St. Catherine dfg | The Rest on the Flight to Egypt with Saint Francis dfb | Related Artists:
Francesco FracanzanoItalian ,
b. Monopoli 1612-d.1656 Naples
Naples.Brother of Cesare Francanzano. He moved to Naples in 1622 with Cesare and like him entered Ribera's workshop. In 1632 he married Salvator Rosa's sister Giovanna. His early style remains obscure. Bologna (1958) attributed a group of paintings to him that show half-length figures against a predominantly dark background, painted in deep colours with loaded brushstrokes. These pictures, among them two versions of the Prodigal Son.
Jacobus Storck (1641 - c.1700) was a Dutch Golden Age marine painter.
Storck was born and died in Amsterdam. According to Houbraken he was the brother of the marine painter Abraham Storck who painted views of the Rhine and inland ships, but who was not as gifted.
According to the RKD he was the second son of the marine painter Johannes Sturckenburgh, younger brother of the marine painter Johannes Storck and older brother of Abraham. Signed works by him are dated 1664-1687. He sometimes signed JA Storck, which since 1963 has been interpreted as a work by both Jacobus and Abraham together.
Floris van Dyck, also called Floris van Dijck or Floris Claesz. van Dyck (Delft or Haarlem, c. 1575 - Haarlem, before 26 April 1651), was a Dutch Golden Age still life painter.
He lived in Haarlem for most of his life, but he was born in Delft. He was a cousin of Pieter Cornelisz van Dijck. In 1600 he is documented as being in Rome, indicating he made a journey to Italy. In 1606 he returned to the Netherlands, where he joined the Haarlem Guild of St. Luke in 1610 and became dean in 1637. He was influenced by Osias Beert and Clara Peeters. He is considered the inventor of the banketje (banquet still life genre similar to breakfasts, or ontbijtjes), together with Nicolaes Gillis.